Dejecting
rejections
Fifty years ago, NASA Apollo scientist Bill Borucki had a Big Idea.
He said, “Let’s build a space telescope to look for planets orbiting
stars.” If a planet were to pass in front of its parent star, he
reasoned, the light would dim, thus revealing that planet’s presence.
Scoffers lined up to shoot down the idea, which then languished for
decades.
But in 2009 a team including Borucki launched the Kepler space scope, which has
since found more than 2,300 confirmed exoplanets rolling around other suns in
only a minuscule portion of the cosmic vastness. Some have even been
directly imaged. Quite a few are earth-sized. Cosmologists now
suspect that most of the trillions of stars in the universe
must have orbiting bodies, some inevitably within a zone wherein water is
liquid, those star systems having formed in much the same way as our own solar system did. This, in turn, greatly enhances the likelihood of life out
there.
Many cosmologists now believe it’s virtually a
statistical certainty we’re not alone in the universe.
A Big Idea, indeed. But one roundly rejected for decades as impossible to
ever research.
After World War II, photographer Robert Frank crisscrossed the U.S taking
thousands of candid photos. Much of what he shot was raw and ugly.
Poverty. Racial prejudice. Mind-numbing work
conditions. His pictures contradicted happy-myths propagated by The
Saturday Evening Post and TV’s Leave it to Beaver.
His photo book, The Americans, was vehemently criticized and
then largely ignored. Only 1,100 copies sold, earning him $800.
Today, Frank’s book is considered an iconic 20th-century work. Hope you
kept a copy. A single original print featured in the book showing sullen
people riding a segregated New Orleans trolley sold not long ago for $633,000.
Louisiana oil-field roughneck James Lee Burke spent nine years trying to sell
his first novel, The Lost Get-back Boogie. The manuscript
gathered 100 rejections.
When the University of Louisiana Press finally published the yarn, it drew a
Pulitzer nomination, the first of many accolades Burke has since earned.
He’s still writing best-sellers, and several of them have been turned into hit movies.
Myopic unimaginative publishers also rejected J.K. Rowling’s Harry Potter debut
novel 12 times, Agatha Christie’s debut novel 23 times, and Mitchell’s Gone
With the Wind 38 times. Almost every publisher in England
spurned Golding’s classic Lord of the Flies.
I hope
all those editorial naysayers have been plagued by thoughts of the millions of
dollars they turned away from their doors. The Harry Potter franchise
alone has been worth billions.
Rejections are to a writer as tipsy shot gunners are to ducks. We can
only try to live with them. I wish I’d kept track of the rejections I've
gotten over the years. They’d fill a barrel. In fact, a few years
back, a clever writer did keep track of his rejections and sold a magazine
article about the number and variety of them.
Even after we survive all that crushing rejection and finally do manage to get
our work published, we face a gang of one-star losers out there who cruise the
Net viciously putting down everything and everybody they encounter, while never
actually accomplishing much of anything themselves.
The naysayers have always been an ineradicable presence throughout humankind.
Society’s gleeful shot gunners. We can take a lesson from the likes of
Bill Borucki, Robert Frank, James Lee Burke, J.K. Rowling, and migrating
mallards though, and simply ignore the naysayers as we carry on, trying our
best.
And there are occasional payoffs along the road. Although I’m not in
sight of the best-seller lists yet, I've gathered a thick file of e-mails and
notes from folks all over who have liked my work. One missive was from a
man in Birmingham, England. The first fan letter he’d written in over
twenty years of reading, he said. Five years before, an auto accident had
left him in a wheelchair. He said my books had brought back to him “the
outdoors and all its splendor” and had given him strength to step up his therapy
intensity.
That one is taped to the wall behind my
computer monitor.
Phil